The GH60
Made possible by the Synergy Horn™, the GH60
represents a paradigm shift in loudspeaker technology. That is because the GH60 Genesis Horn incorporates three patents in one box: the Synergy Horn™, the Paraline™ and the Shaded Amplitude Lens™. The result is everything you wanted a line array to do and more. The GH60 houses a total of 18 drivers utilizing 21 horizontal 20-degree downward vanes that provide even front-to-back coverage (better than line array performance) from a single point source. Due to the Shaded Amplitude Lens™, the GH60 has 16dB of gain on the furthest listener’s axis, and all 45 degrees of the vertical coverage is useable.
SF1
A real problem solver for unique acoustic conditions, the SF1 is a two-way loudspeaker design housing two 8-inch low frequency drivers and a single 1-inch-high frequency compression driver. What helps set this speaker apart is its asymmetrical vertical dispersion, which allows for extremely even coverage.
Driver placement within the horn, in unison with a synergy crossover network, allows for proper phase alignment between frequency bands. This permits the physically separated bands to combine and emerge from the horn in synchrony, greatly reducing off axis distortions in frequency response while also allowing for high amounts of clarity at great distances. Furthermore, out of band harmonic distortion is limited due to the use of acoustic low pass filters. It provides even coverage front to back and nearly 180 degrees wide
SH46
This loudspeaker provides unparalleled sound despite an impressively small footprint. And, like all our Synergy Horns™, the SH46 has incredible fidelity, pattern control, and impressive magnitude/phase response. The SH46 also has the added benefit of truly modular array-ability. In fact, it has a sensitivity of 106dB SPL and can handle 1,400 watts continuous. And it is also versatile: The SH46 can be permanently installed, while the touring model is outfitted with handles for easy transport.
SH50
The flagship of our Synergy Horn™ line, this loudspeaker provides great fidelity, low frequency pattern control and unrivaled magnitude/phase response in the coverage angle. Like other Synergy Horns™, it has the added benefit of truly modular array-ability, and it also delivers high SPL and low distortion sound reproduction.
SH96HO
Just like the SH96, this loudspeaker offers an extraordinary design that features 11 drivers coupled to a single Synergy Horn™ that includes four 15-inch drivers, six 4-inch mid-range drivers and a 1.4-inch-high exit HF compression driver – all mounted within a 45-inch x 26-inch horn. Thoughtful driver placement within the horn, combined with our Synergy crossover network, allows for proper phase alignment between frequency bands. This permits the physically separated bands to combine and emerge from the horn in synchrony, greatly reducing off-axis distortions in frequency response and allowing for greater clarity at long distances.
SM60F
Offering full range performance in a very compact box, the SM60F packs quite a bit into its frame. It also has the added benefit of truly modular array-ability. Combining great fidelity, low frequency pattern control and unrivaled magnitude/phase response into an ultra-compact enclosure, the SM60F is ready to handle whatever you can throw at it. It is also available in touring and installed versions.
DBH218
We took a conventional horn loaded subwoofer design and made it better in our own incomparable way. The result is a “punchy” sub that is right at home conveying high-powered rock and roll. Featuring a front-loaded, folded horn design, the DBH218 behaves conventionally in that adding boxes together not only increases the output but extends the low frequency response downward. The DBH218 is most efficient in the 80 Hz range. This powerful subwoofer is great in club and music venue environments and also comes in a touring edition.
TH118
The efficiency at the low end of the TH118 comes thanks to our patented horn technology. This sub is also virtually linear in its passband. In fact, it would take several conventional front-loaded subwoofers to try to equal the output of a single TH118.